Coming Out of Egypt – Angela R. Joseph
Introduction to the BookComing Out of Egypt – Maryann Diorio – Spoken Script (~450–500 words)
Have you ever imagined growing up carrying a secret so heavy it could shatter your entire life if anyone found out? // That’s the reality for two sisters in Maryann Diorio’s Coming Out of Egypt, a story that blends tragedy, faith, and the struggle to break free from the chains of the past.
At the center of the novel are Cicely and Marva, two sisters whose lives are marked by abuse, loss, and survival in a small Caribbean village. // Cicely, the older sister, carries the crushing weight of protecting Marva while trying to build some kind of future from the ruins of their childhood. // Her dreams feel so far away, yet she refuses to give up — not for herself, and certainly not for Marva.
But when a shocking crime forces them to flee the only life they’ve ever known, the sisters are thrust into a journey that is both physical and spiritual. // Their escape isn’t just about getting away — it’s about leaving behind a life of pain, fear, and silence to discover whether redemption, healing, and hope are even possible.
What gives Coming Out of Egypt its power is not just the story of survival, but the emotional depth and moral complexity Diorio weaves into every page. // This is not a simple tale of running from danger — it’s a portrait of what happens when shame, faith, love, and justice collide. // Cicely is torn between guilt for the past, fear for the future, and a longing to believe that there might still be beauty and purpose ahead.
The novel also draws on the powerful metaphor of Egypt as bondage — the place of slavery, both literal and spiritual, that the characters must leave behind. // Yet even as they run, the sisters discover that freedom is not just about changing your circumstances — it’s about confronting the chains inside your own heart.
Diorio doesn’t shy away from the darkness of abuse, betrayal, and brokenness, but she also refuses to leave her characters there. // Threaded through the story is a quiet but persistent faith — the sense that God’s grace can reach even the most wounded places, bringing light where there was only despair.
So — why should you read Coming Out of Egypt? // Because it’s a story of courage and hope, perfect for readers who want depth, emotion, and characters who feel achingly real. // It reminds us that no matter how deep the pain runs, there is always the possibility of healing, forgiveness, and new beginnings.
In the end, Coming Out of Egypt isn’t just about leaving the past behind. // It’s about finding the strength to walk into a future shaped not by fear, but by faith and love. // And that is what makes this novel both heartbreaking and deeply uplifting — a story that lingers long after the final page.
Reading 1 (Part 2)
Thunder rumbled in the distance, and Marva Garcia looked through
the window at the tall trees silhouetted against the sky. On a clear day, she
could identify most of the trees by name, but with the growing darkness she
couldn’t tell which was cedar or mango, breadfruit or samaan or any of the
stately trees that flanked the estate. It was as if they had all banded together
to disguise themselves against the threatening storm. Only the coconut and
gru - gru palms were distinguishable by their long, slender trunks and
fringed branches.
Nearer the house, the smaller fruit trees were still visible, but their
leaves hung down as if bracing for what was to come. The door of the
storage shed where they stored their produce – grapefruit, oranges and
bananas – rattled as the wind blew through it. Marva had heard it multiple
times, but tonight the sound grated on her nerves. She looked at her younger
sister, June, sitting huddled on a stool, head buried in her arms like a
sleeping chicken. Occasionally, a sob escaped from beneath the bush of
hair. If only she didn’t have to experience any of this.
Marva cast another anxious glance at the heavy rain clouds hanging
like wet sheets on a clothesline. Might as well do it now before the storm
hit.
She tugged at June’s arms. “Come on. It’s time.”
The girl raised her head, showing eyes reddened and wide like those
of a frightened deer. She opened her mouth as if to speak then closed it and
stumbled to her feet.
Marva softened her tone. “You don’t have to come if you don’t want
to.”
June nodded, indicating she would go.
Marva closed the window. Steeling herself, she opened the bedroom
door and crept forward, June following right behind her.
He lay on his stomach on the floor in the same position in which he’d
fallen, head at a
rakish angle, arms flung out in front him, one knee slightly bent. June
gasped, and Marva glanced over her shoulder. June’s lower lip trembled,
her face pale, arms crossed over her bosom. Marva hesitated before turning
back to the body on the floor. Her heart pounded so hard, it sounded in her ears, and for one
frightening moment she thought she would faint. But fainting was a luxury
she couldn’t afford right now. She leaned against the wall for a second to
quiet her heart then with a grimace, bent low and spread her arms.
Something swelled in his back pocket. She pulled out the wallet, flung it on
the bed, then straightened and looked back at June, peeking from behind her
fingers. Lord, I can’t do it.
Marva ran into the kitchen, June close behind, and returned with the
broom. Using the handle, she tried to push the body toward the door, but
with no success. She threw the broom aside and clamped her sweaty palms
on the dead man’s ankles through his pants. As long as her hands didn’t
touch his body… She yanked, but something was causing a resistance.
Sweat formed on her brow.
“Help me, nuh!” It was more a plea than a command. June sprang
closer to her sister, but stayed behind her.
“Let’s ... roll him over,” Marva panted.
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